Barbershop harmony is a style of unaccompanied vocal music characterised by consonant four-part chords for every melody note in a predominantly homophonic texture. The melody is consistently sung by the lead, with the tenor harmonising above the melody, the bass singing the lowest harmonising notes, and the baritone completing the chord.
The melody is not sung by the tenor except for an infrequent note or two to avoid awkward voice leading, in tags and codas, or when some appropriate embellishing effect can be created. Occasional brief passages may be sung by fewer than four voice parts.
Barbershop music features songs with understandable lyrics and easily singable melodies whose tones clearly define a tonal centre and imply major and minor chords and Barbershop (dominant and secondary dominant) seventh chords that resolve primarily around the circle of fifths, while making frequent use of other resolutions. Barbershop music also features a balanced and symmetrical form, and a standard metre.
The basic song and its harmonisation are embellished by the arranger to provide support of the song's theme and to close the song effectively.
Barbershop singers adjust pitches to achieve perfectly tuned chords in just intonation while remaining true to the established tonal centre. Artistic singing in the Barbershop style exhibits a fullness or expansion of sound, precise intonation, a high degree of vocal skill and a high level of unity and consistency within the ensemble. Ideally, these elements are natural, unmanufactured and free from apparent effort.
The presentation of Barbershop music uses appropriate musical and visual methods to convey the theme of the song and provide the audience with an emotionally satisfying and entertaining experience. The musical and visual delivery is from the heart, believable, and sensitive to the song and its arrangement throughout. The most stylistic presentation artistically melds together the musical and visual aspects to create and sustain the illusions suggested by the music.